Tuesday, March 30, 2010

Film Review — The Most Dangerous Man in America: Daniel Ellsberg and the Pentagon Papers


After his father fell asleep at the wheel, causing the deaths of his mother and sister, Daniel Ellsberg learned at an early age that authority figures are not infallible, and their trust must be gained just like anyone else: through action. This event early in the life of the future Pentagon policy analyst coincided with the decision to drop the bombs on Hiroshima and Nagasaki by a President he had previously admired unequivocally. Ironically, as Ellsberg would discover later on, it was the Truman presidency that also began the deleterious domino affect that was the American involvement in Southeast Asia which, continued escalating in secrecy with each of the four subsequent Presidents.

The new documentary by co-writer/directors Judith Ehrlich and Rick Goldsmith The Most Dangerous Man in America lays out with impeccable attention to detail Ellsberg's transition from former marine and dutiful war-hawk under the Johnson administration to whistleblower and outspoken war-critic during the Nixon administration. The film's scope also encompasses the unintended affects of the eventual successful release of the Pentagon Papers, including the desperation and inevitable resignation of President Nixon.

An import from the RAND Corporation, a foreign policy think-tank where he learned to critically analyze all kinds of wartime scenarios, Ellsberg's first day on the job at the Pentagon in 1964 entailed the chaotic Gulf of Tonkin incident where he first discovered the extent to which information can be manicured by the executive branch, outside of the public's knowledge in order to escalate a conflict. Before the disaster of the Tet Offensive, the doubtful Secretary of Defense Robert McNamera ordered from Ellsberg's team in the Pentagon a detailed history of America's involvement in Vietnam without the knowledge of the President. This sprawling, multi-volume analysis became the famed Pentagon Papers.

Especially for anyone unfamiliar with this generation, the filmmakers clearly insist on this story being an essential part of one's understanding of this critical period in American history where the nation's experiment in democracy was put to the ultimate test. Long a hero for defenders of the First Amendment, Daniel Ellsberg reveals in the film the personal struggles he and his loved ones went through to follow their conscience and protect their right to free speech in order to keep the American public well-informed.

Aesthetically the film does little to dazzle the senses like some other higher budget Oscar-nominated documentaries from this past year — The Cove had its mesmerizing score and Food, Inc. made your stomach churn at the thought of what it had been consuming all these years — but emotionally charged interviews mixed with expertly edited archive footage, priceless tape recordings and helpful recreations makes The Most Dangerous Man an indispensable topical film on par with Errol Morris' The Fog of War (2003). With the decade's beginning of yet another seemingly endless Asian conflict (on the bright side, it's only spanned two presidents so far) one hopes we won't have to rely on a modern day Daniel Ellsberg to pull us back from the brink of oblivion.

Saturday, March 6, 2010

Best Films of 2009

While the Academy focuses its attention on primarily American fare, I'd like to broaden the spectrum a bit for my final list of impressive films from the 2009 cinematic season, and to acknowledge some of the unjustly snubbed standout films, even with the return of the expanded ten-nominee Best Picture category. The list also expanded enough to require a separation between narrative and documentary films with the former category having an un-ranked grouping of ten best, as well as some other very worthy and memorable contenders.

Overall the year was well-varied in styles, themes and genres, with even the most sentimental of them managing to significantly challenge our ways of thinking, and still others producing some of the most memorable images and acting in recent memory. One common thread that weaves through many of these stories can be found in the shadow of The Great Recession — the effects of which still plague much of the world more than a year later, and
will continue to do so for years to come. Characters such as Solo (Goodbye Solo), Larry (A Serious Man), Steve and Robb (Anvil!) and the family in Summer Hours all come to discover in some way what are truly the most important parts of their lives and how easy it can be to lose sight of them.

With all this in mind, I hope this list provides at least a rough gauge for the cinematic talent that was on display this past year, and hopefully a barometer for what we can expect in years to
come.



Narrative Films


Top 10:
Revanche
The White Ribbon
Moon
The Headless Woman
A Serious Man
Summer Hours
In the Loop
Inglorious Basterds
The Hurt Locker
Goodbye Solo

14 More Worthy of Mention:
District 9
Antichrist
Precious: Based on the novel "Push" by Sapphire
Police, Adjective
Lorna's Silence
Bad Lieutenant: Port of Call - New Orleans
35 Shots of Rum
The Imaginarium of Dr. Parnassus
A Single Man

Up In the Air
Sugar
Avatar
Up
Big Fan



Documentaries:

The Way We Get By
Burma VJ
Daniel Ellsberg: The Most Dangerous Man in America
Anvil! The Story of Anvil
The Beaches of Agnès